探戈课

　　马丁·哈里斯博士（连姆·尼森 Liam Neeson 饰）到柏林参加学术交流，却不幸遭遇了一场车祸，昏迷中醒来的他发现自己整个人生都被偷走了，妻子伊丽莎白（詹纽瑞·琼斯 January Jones 饰）不再认识他，而另一个人（艾丹·奎因 Aidan Quinn 饰）  取代了他的身份，成了哈里斯博士，光明正大出现在学术会议里，似乎所有人都认为那才是真正的哈里斯博士，令马丁十分迷惑。没有人相信马丁的说辞，柏林当地警署对他的申诉置若罔闻，又似乎有人开始追杀他。异国他乡，举目无亲，身陷险境，是人们的记忆被偷走了？还是自己脑袋出了问题？又或者背后有惊天阴谋？马丁走投无路之时，一个神秘女人吉娜（戴安·克鲁格 Diane Kruger 饰）出现了，似乎能帮他找到事情的真相……

　　只有他们能侦听到的太空的神秘声音？他们到底发现了什么？三位天文学家意外地截获了他们认为是来自遥远的外星文明的信号，但事实比他们任何人想象的都要不可思议。该片制作历时五年，四个工作人员，三个演员，零预算的独立电影。

　　影片是一部尖锐的反体制喜剧，聚焦北爱尔兰说唱组合Kneecap。以Mo Chara、Móglaí Bap和DJ Próvaí组成的真实说唱组合Kneecap为主角，他们以爱尔兰盖尔语的说唱闻名，其国家主义作品常涉及北爱尔兰问题。2019年，他们因为在一家英国威廉王子及凯特王妃早先去过的酒吧里大喊“把英国人赶出去（Get the Brits out now）”而被谴责。

　　1922年，霍华德卡特发现图坦卡门之墓，近百年后，这位法老王墓中的许多无价珍宝隐没在埃及各地的博物馆地下室或档案馆里。如今全部5398件藏品首度重聚于新的大埃及博物馆，其中许多从未展出过，这些藏品揭露了这位人称“少年法老”短暂精采的一生，并有助专家了解图坦卡门对古代世界的重大影响。

　　Follows a group of girlfriends from Assam and Meghalaya, north-eastern states in India, gathering in the back streets of Delhi to throw a secret wedding party for a soon-to-be bride. Terrorised by their rottweiler of a landlady and with their boyfriends utterly useless as help, the group&♯39;s already disorganized plans soon go further awry. As the women cook the traditional Axone wedding stew (a pork stew with pungent local herbs), neighbors complain about its powerful smell. However, they are determined to prepare the aromatic dish. With the challenges brought on by cultural difference and the pressures of being migrants in a seemingly unfriendly city, is food and love enough to save the day?

　　拉奎尔疯狂且不可救药地爱上了迷人而神秘的邻居阿瑞斯。虽然她一直默默地关注着阿瑞斯，但令她沮丧的是，他们却从来没有说过一句话。但是拉奎尔的目标很明确：让阿瑞斯爱上自己。然而，她不是一个傻白甜女孩，她并没想过为此倾尽所有，更不会迷失自我······

　　这是一个不同寻常的学期，魔法学校的盛事：三强争霸赛在霍格沃茨举行。学生们争先报名，希翼获得永恒无上的荣誉。火焰杯在选出三所学校的三名勇士后，竟将未足年龄的哈利也挑选出来。
　　哈利（Daniel Radcliffe饰）的当选引起其他学生的嫉妒连连，就连铁哥们罗恩（Rupert Grint饰）也首次和他闹起了别扭，哈利感到孤立无援，还好有教父小天狼星和赫敏一直支持他。可总有些好事者如记者丽塔等着看他的好戏。天知道这场比赛是何等艰辛危险，在龙的眼皮下偷蛋，潜入湖底救人，在迷宫中探险……一不小心，甚至可能付出生命的代价。
　　黑魔王伏地魔的威胁渐渐显现，每一天都险象环生，动人心弦。

　　在东京新宿黄金街的小酒吧工作的真理子（伊藤沙莉 饰），作为调酒师的她，还有另外一个身份——侦探。有一天，真理子接到一个组织的委托，要求她“寻找混入歌舞伎町的外星人”，她便开始与自称是忍者的恋人MASAYA（竹野内丰 饰）合作进行搜索。

　　Millers in Marriage follows Eve Miller, the former lead singer-songwriter of an indie rock band, who finds herself drawn to a music journalist amid a toxic marriage. Meanwhile, Eve’s sister Maggie, a bestselling author, is encountering challenges in her marriage of 30 years as her career surpasses her husband’s. At the same time, Renee, a recently divorced successful fashion executive, is navigating a budding relationship with Andy Miller, an artist who is juggling his feelings for Renee and his recently separated wife Tina, Renee’s former colleague.

　　Monty（爱德华·诺顿 Edward Norton 饰）牵着他的狗在纽约散步，白天，他去了他以前就读的学校拜访了他的老友Jacob（菲利普·塞默·霍夫曼 Philip Seymour Hoffman 饰），Jacob在里面当英语老师，课上他的女学生Mary（安娜·帕奎 因 Anna Paquin 饰）非常活跃。而Monty和Jacob的另一个好友Frank（巴里·佩珀 Barry Pepper 饰）则在公司忙碌地工作着。事情的起因是某天的下午，Monty回到家，发现女友Naturalle（罗莎里奥·道森 Rosario Dawson 饰）在家门口等待许久。两人正在浴缸里调情的时候，警察突然来敲他们的家门。Monty藏在沙发里的毒品被发现。因此他被起诉，被判入狱7年。Monty离进监狱只剩下几个小时的时间了，他开始怀疑是不是女友出卖了他。Monty去找了他的老爸，两人谈了很多很多，之后他们一群人去到酒吧，却意外地遇到了Jacob的女学生Mary。24小时过去了，下一个小时开始，Monty就要开始他的监狱生涯......

　　A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko&♯39;s films, and her own voice is heard talking about her life and art.
　　Elem Klimov&♯39;s grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko&♯39;s collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko&♯39;s premature death while filming her adaptation of Valentin Rasputin&♯39;s novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko&♯39;s work (Maya Bulgakova&♯39;s pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa&♯39;s most powerful passage is its first: accompanied by the grandiose final music cue from Shepitko&♯39;s You and I, Klimov dissolves between a series of personal photographs that encompass Larisa&♯39;s entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov&♯39;s Come and See, though by placing the scene first within Larisa&♯39;s chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery&♯39;s knife has cut.