一个想当电影制片人的电影制作人说服一个不情愿的电影导演,当两人都突然被一个神秘的团伙绑架时,他们给予指导。
一个男人被其未婚妻指控通奸,从而被迫搬回家与父母同居。当他为四岁女儿的监护权而战时,也逐渐卷入了父母和邻居由于一棵美丽的古树而起的争执。影片探讨了普通人之间的荒谬斗争,在其现实主义的基调下有着喜剧和惊悚元素。片中尖刻和讽刺的地方或许显得夸张,但也揭示了中产阶级背后的真相。
本片讲述了在离开家乡多年后,25岁的丹尼因父亲的意外去世而回到了自己童年的家。开始他受不了这个穷乡僻壤的寂寞和无聊,但慢慢地,他才发现这个养育他长大的地方是一片乐土,他也重新赢得了童年时期青梅竹马的苏苏的心。但为了找到他生活的意义,丹尼还是不得不面对多年前让他离开家乡的真正原因。 回乡的自我救赎是本片亮点,在温情的描绘中道出了男主深埋于心底的秘密。影片节奏轻快紧凑,幽默又温情,特别适合年轻观众以及全家观看。 卖点:集聚德国新生代小鲜肉和美少女的青春片。
原版以作为漫画家残酷的业为主题,描绘在经历压倒性的空虚感这一极限状态后才出现的人气漫画家的真实姿态。
金判秀被戏院开除后,为了儿子的学费而不得不去行窃,不料却失风被抓,被盗的主人正巧是朝鲜语学会的代表柳正焕。判秀阴错阳差地获得在朝鲜语学会工作的机会,处在母语被禁止的时代,两人于所剩不多的时间中,必须在日本帝国高层的监视下完成属于朝鲜的字典……
本片改编自《金子光晴的情书》,原著描述了诗人与常年生活在一起的女性之间的关系,东阳一将其电影化。高桥惠子与中村嘉岚雄大胆挑战爱情戏,引起话题。爱上比自己年长30多岁的诗人小田的有子在别人的白眼中每天等待着小田的到来。即使被擅自登记、擅自堕胎,有子仍继续爱着小田。。。
A lawyer turned private investigator takes on a missing person case, propelling him on an unexpected and life-altering quest.
故事开始于公元1154年,若弗鲁瓦五世去世后,亨利二世(彼德·奥图 Peter O&♯39;Toole 饰)继承了王位,长久以来,英国皇室对撒克逊原住民都采取着强硬的压制态度,然而,亨利二世最好的朋友汤姆斯(理查德·伯顿 Richard Burto n 饰)便是一名撒克逊人,在继位之后,亨利二世将他提拔成为了首相。 汤姆斯拥有过人的智慧和勇气,在他的指领之下,大英帝国屡屡在战场上获胜,不断的壮大着国土。之后,亨利二世将汤姆斯派往教会成为了教主。贴近民生的职位让汤姆斯更加能够对贫民百姓的穷苦感同身受,很快,他便受到了人民的爱戴,这让亨利二世开始感到不安。
A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko&♯39;s films, and her own voice is heard talking about her life and art. Elem Klimov&♯39;s grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko&♯39;s collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko&♯39;s premature death while filming her adaptation of Valentin Rasputin&♯39;s novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko&♯39;s work (Maya Bulgakova&♯39;s pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa&♯39;s most powerful passage is its first: accompanied by the grandiose final music cue from Shepitko&♯39;s You and I, Klimov dissolves between a series of personal photographs that encompass Larisa&♯39;s entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov&♯39;s Come and See, though by placing the scene first within Larisa&♯39;s chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery&♯39;s knife has cut.
This is basically a tale of one woman&♯39;s (Vanessa Williams) rebellion against tradition and racism in the south. In a time when it is against the law to marry outside your race, Henriette (Williams), and Gerard (Bellows), fall in love and face trials of the law of the land of the day. They plan on moving to France where Gerard is from, where they can marry without any restrictions. Until Henriette&♯39;s sister falls sick and they are forced to stay in the states. Henriette starts fighting with all her might for the rights of her people and her place in the church. I don&♯39;t want to give away the ending so I will end this here.
米奇(布莱恩·邦赛尔 Brian Bonsall 饰)是一个天真烂漫的男孩,他的双亲在很早的时候就永远的离开了他,这么多年来,米奇一直辗转在一个又一个寄养家庭之中。奇怪的是,凡是收养了米奇的家庭,无一例外的都会在不久之后遇到意外,没有任何人怀疑这些意外和米奇有什么关系,因为他年仅9岁。 这一次,米奇又来到了一个新的寄养家庭之中,在这里,他邂逅了名叫杰西(朱茜·比赛特 Josie Bissett 饰)的大姐姐,米奇非常喜欢漂亮温柔的杰西,然而杰西只拿他当成是小弟弟来相处,不仅如此,杰西在学校里也已经有男朋友了。某日,杰西的男朋友在浴室中意外触电而死,紧接着,米奇的养母、养父和老师都遭遇了生命危险。