回路

　　Javier and Felipe are now full-time parents to their daughters. However, the fathers discover the girls are missing something: a mother. To find her, they invite their girlfriends on vacation with a secret plan.

　　影片是一部尖锐的反体制喜剧，聚焦北爱尔兰说唱组合Kneecap。以Mo Chara、Móglaí Bap和DJ Próvaí组成的真实说唱组合Kneecap为主角，他们以爱尔兰盖尔语的说唱闻名，其国家主义作品常涉及北爱尔兰问题。2019年，他们因为在一家英国威廉王子及凯特王妃早先去过的酒吧里大喊“把英国人赶出去（Get the Brits out now）”而被谴责。

　　卡马尔格，法国——内吉玛正在努力训练，以赢得当地的斗牛比赛。然而，在一次庆祝活动后，她被牛袭击，开始注意到一些令人不安的变化。与此同时，一头失控的公牛在社区中横行，导致年轻男子接连丧命，令居民们感到恐慌。

　　警官斯坦贝克是一个性格火暴的人。当他发现自己唯一的亲人--哥哥被杀害的时候，他决定调查清楚。根据一点点的蛛丝马迹，他来到了南非的一座城市—海角城。斯坦贝克不情愿的和当地的警察合作。在那里他遭遇到了南非最大的钻石走私商。还有一个冷艳的美女杀手。周旋在残酷的走私者和冷血的杀手之间，斯坦贝克发现他的哥哥必死的原因，而现在，他也面临着同样的危险……

　　虽然特雷弗（布兰登·费舍 Brendan Fraser 饰）是大学的地质教授，但是却经常做出挑战传统的事情。他认为，凡尔纳的小说并不是科幻，而是真是存在的。就是因为这样的对立理论，使其被传为学院里的笑话，使得他的学术名声毁于一旦。不过特雷弗却毫不在意这些，他坚信自己的理 论是正确的。为了验证自己的理论，特雷弗带着侄子肖恩（乔什·哈切森 Josh Hutcherson 饰）和当地的向导汉娜（安妮塔·布瑞姆 Anita Briem 饰）开始了在冰岛的旅行。在旅行时，三人意外发现一个奇特的洞穴，并在探询时踏破薄冰跌入了无底深渊。不过，当他们醒来时，却发现了一个神秘的地心世界，里面有着各种稀奇古怪的生物，与凡尔纳小说里面描述的场景一模一样。证据终于找到了，但是如何将证据带回地上？特雷弗三人开始了寻找出路之旅……

　　因抢劫罪被判十二年徒刑的吉诺（阿兰·德隆饰）刑满出狱，在社工热尔曼（让·加宾Jean Gabin饰）的热心帮助和循循善诱下，他决心痛改前非，重新做人。但信奉“罪犯永远都是罪犯”的警长杰特勒（米歇尔·布盖 Michel Bouquet饰）却仍然不信任他，处处与他作对，最终逼得他走投无路，终于失控杀死了警长杰特勒。经过冷酷、教条的法庭的审讯后，吉诺最终被推上了断头台。
　　这是一部对专制暴政和断头台提出强烈控诉和谴责的人道主义电影，深沉的主题和场面常令观众陷入巨大的感情波澜之中。本片在巴黎及其近郊放映时，仅十周内观众人数就高达四十八万人次。1981年，密特朗总统上台后，通过了在法国取消死刑的新法令。

　　Benjamin Bernard has lived his life in the shadow of his brother. Torn between jealousy and loyalty, Benjamin takes out his aggression as a mixed martial arts (MMA) fighter. After an event nearly shatters the life of his brother, Benjamin must face his overwhelming feelings of anger and resentment as he discovers the truth about his family. As one brother fights for his life, the other must fight for reconciliation and redemption inside and outside the cage. This family film explores love, forgiveness, loss, healed relationship and, ultimately, the realization that we are all God&♯39;s Favorite.

　　沙耶香（高畑充希 饰）是一个平平无奇的女白领，唯一和别人不同的是，她的运气似乎总是非常的糟糕。某日，又经历了一整天不幸事件的纱耶香拖着疲惫的身躯回到公寓，让她没有想到的是，自己的房门外竟然躺着一个陌生的男人。
　　这个男人名叫阿树（岩田刚典 饰），在他的恳求之下，善良的纱耶香收留了无家可归的阿树，就这样，在不明就里的情况下，纱耶香第一次和一个男人开始了住在同一屋檐下的同居生活。阿树是一个非常奇怪的男人，他最大的爱好就是做家务，阿树喜欢带着纱耶香前往野外，去寻找可以食用的植物，带回去做成美食。在此过程中，纱耶香发现自己千疮百孔的心灵渐渐得到了治愈。

　　Society sleuths Nick and Nora Charles investigate a murder aboard a floating casino.
　　Nick and Nora Charles are attending a charity benefit aboard a gambling ship.
　　After a murder occurs, suspicion falls on Phil Brant, who had argued with the victim earlier in the evening.
　　When Phil and his wife seek help from Nick and Nora, Nick refuses to get involved.
　　But when shots are fired outside his own apartment, Nick begins to investigate, and he soon finds himself in a confusing case with numerous suspects.
　　Nick and Nora Charles were the ultimate screen couple, husband and wife detectives, always in step and never missing an opportunity to outwit one another as they solved each crime, which they did just in time for the movie&♯39;s ending.
　　Myrna Loy was a fantastic Nora, the ideal wife and considering she made 14 movies with William Powell, she made it look like they were really married.
　　The Thin Man movies, all six of them, played more like sophisticated screwball comedies than murder mysteries, and their comic banter enhanced the proceedings.
　　Their little wire-haired terrier, Asta, quite often stole the scene as he helped sleuth out the guilty party.
　　He was a great little actor and rumor had it that away from the Thin Man movies, Asta was really Skippy.
　　However, the six Thin Man movies credit this cute pooch as "Asta."

　　菲利普（凯德·麦拉德 Kad Merad 饰）在法国南部普罗旺斯的一家邮局任职了十多年，一成不变的生活和闷闷不乐的妻子朱莉（Zoé Félix 饰）令他感到压抑。为了讨妻子欢心，菲利普装扮成残疾人申请升职到南部的黄金海岸地区，却不料弄巧成拙被调派到了极北的小城贝尔格（Bergues）担任局长。在南方人眼里，那里气候寒冷恶劣，人民粗俗不堪，说话还带着难懂的Ch&♯39;ti口音，是堪比地狱的地方。
　　心灰意冷的菲利普辞别家人，忐忑不安的独自赴任。然而出乎意料的是，他发现自己的新下属们和当地的居民都很热情好客，自己也很快与邮递员安东尼（丹尼·伯恩 Dany Boon 饰）交上了朋友。菲利普逐渐爱上了这处淳朴简单的小城，但当他试图说服朱莉一同来到北方生活，却遭到了妻子的质疑……
　　本片曾获2008年欧洲电影奖及2009年法国恺撒奖提名。

　　A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko&♯39;s films, and her own voice is heard talking about her life and art.
　　Elem Klimov&♯39;s grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko&♯39;s collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko&♯39;s premature death while filming her adaptation of Valentin Rasputin&♯39;s novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko&♯39;s work (Maya Bulgakova&♯39;s pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa&♯39;s most powerful passage is its first: accompanied by the grandiose final music cue from Shepitko&♯39;s You and I, Klimov dissolves between a series of personal photographs that encompass Larisa&♯39;s entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov&♯39;s Come and See, though by placing the scene first within Larisa&♯39;s chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery&♯39;s knife has cut.