午夜巴黎

　　7月4日，布鲁克林大桥，一枚抛掷落地的硬币，绿色通道以及黄色通道。
　　年轻夫妇凯特（琳恩·柯林斯 Lynn Collins 饰）和鲍比（约瑟夫·高登-莱维特 Joseph Gordon-Levitt 饰）深深相恋，然而当他们来到布鲁克林大桥上时，却将彼此的命运交托于一枚小小的硬币之上。于是7月4日这个看似极为普通的一天，对二人来说变得意义非常。当硬币掷地，凯特与鲍比向着两个相反的方向迅速奔跑，而他们的未来，无人知晓。
　　现实立刻被分割成两条平行时空。在绿色通道中，凯特和鲍比来到了凯特在布鲁克林的家中，度过了宁静而幸福的一天；而在黄色通道中，二人却莫名其妙的来到危机重重的曼哈顿，卷入一场生死攸关的抢劫案中，濒临绝境。

　　汽车人和霸天虎连年不断的战争，给地球带来了莫大的伤害。为此，地球各国联合成立反应部队，针对变形金刚无论正邪一律绞杀。与擎天柱交往甚密的地球人凯德•伊格尔（马克·沃尔伯格 Mark Wahlberg 饰）不顾身边人的反对和政府的压力，以一己之力为大黄蜂、钢锁等汽车人提供庇护场所，期间他无意得到一枚徽章，从而将危机引向自身。失踪的擎天柱飘回赛博坦，被变形金刚的创造者昆塔沙捕获并黑化，命令他返回地球寻找至高无上的权杖，毁灭地球，复兴赛博坦。与此同时，威震天和地球政府达成协议，彼此联合追寻凯德及其盟友的踪迹，其目标同样是曾属于魔法师梅林的权杖。
　　地球真正的危机终于降临了……

　　本片用风格化的手法展现了匈牙利三代人的怪诞故事。丑陋的士兵马洛戈瓦尼（Csaba Czene 饰）每日在长官的责骂中进行机械精确的繁琐工作，他那被压抑的生命只能通过炙烤自己身体和偷窥时自渎来缓解，某夜他将猪的尸体看做肥硕的女人，一夜癫狂之后被长官枪杀；大胃王比赛的选手巴拉托尼（Gergely Trócsányi 饰）承担在社会主义国家比赛中为国争光的重任，他呕出的比赛用食品却是国民平日所无福消受的美食；巴拉托尼与一名女子竞吃选手体格消瘦异常的儿子靠制作动物标本为生，儿子不堪照顾肥硕臃肿的父亲，致使巴拉托尼身亡，儿子回到家里，将父亲和自己做成了标本……
　　本片获2006年特兰西瓦尼亚国际电影节最佳导演奖等多项褒奖。

23 Year Old Female College Studen

　　他和她在派对里相遇，相爱，同居，互相讲述童年的回忆、共同的回忆和其他爱的回忆；忧郁男子随处都能看见过往的悲伤，乐观女子则对眼前生活充满热情。俩人的恋情色彩随快乐与否，在一起或分开不断变化，但关系却不照顺序进行，而是依附在不断闪回的记忆场景，借着相异的个性与情绪制造出二种版本的爱情故事。他们的记忆如诗一般流动，情感混合光明与黑暗，并驶于故事轨道上。
　　瓦莱里奥・米艾里 ，1978 年生于罗马，是法国、义大利作家、导演兼编剧。他在罗马取得哲学硕士学位，亦获得义大利电影实验中心的导演文凭，同时是欧洲电影学院的成员。2009年首部长片《Dieci inverni》获得义大利银缎带奖，并出版同名小说。

　　年轻的安·勃格是个有理想有抱负的实习医师。当其在一处事故现场做调查时，安吃惊地发现肇事者原来是一只鳄鱼。从伤势的严重程度来看，这一定是一只巨鳄。巨鳄就藏身在河里的某个地方。没人知道它的确切位置，也没人知道它的下一次袭击是什么时候。安向经验丰富的“鳄鱼专家”米切求助。在接触过程中，二人渐生情愫。凶猛狡猾的鳄鱼给他们的捕猎带来了很大的麻烦，但很快他们便发现，鳄鱼并不是他们最大的敌人……by:yakubd.cc

　　父亲是堂堂总统（迈克尔•基顿 饰），萨曼莎（凯蒂•霍尔姆斯 饰）从小便过着舒适无比的生活，日常中她处处有人照顾，根本不用她动手，她也十分反感受到太多的监护，她渴望得到更多的自由。此时，她接到了大学的录取通知，她对新生活的到来十分期待。
　　满心以为大学生活能让自己过上不一样的生活，萨曼莎从小不会做事的一点受到了同学们的嘲笑与捉弄，使萨曼莎灰心不已。同时，萨曼莎也遇到了自己的爱情，她与宿舍管理员詹姆斯（马克•布鲁卡斯 饰）恋爱了。恋爱生活为她带来了很多甜蜜与美好，她渐渐也忘了那些烦心的事。
　　但好景不长，萨曼莎发现自己心爱的男孩竟然是总统父亲的人，目的就是要监视她的生活。这样一来使萨曼莎既愤怒又伤心……

　　The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.
　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.
　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.
　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.
　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.
　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.
　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

　　男兒立志出鄉關，啟明以為自己站在事業巔峰，高呼我是世界之王，誰知一朝接到解僱信，求職無門，卻變成扮裝俱樂部之后。把鋼鐵直男變女嬌娥，不是人生卡到陰，卻是撞到正，舞台上少女時代是少年，野雞變天團，有難同當，三八兄弟偏成好姐妹，人鬼殊途，原來殊途同歸，天作不和，其實裡應外合。只是當皇后易，當自己卻難，啟明家有妻小需要瞞，還遇見黑道老大煞到愛，安內還要攘外，人生不停出包，他超大包。升級豈止罩杯，越好笑越靠杯。從獻身到獻聲，啟明不只歌喉讚，這回他還要為全世界皇后們發出聲音。姊姊妹妹站起來，笑到彈出來。

　　讲述了失去双亲的女孩遭强暴后复仇的故事...

　　15年前，本·沃克离开了他的女朋友，并放弃了工作，如今的他有着高收入的职业、一个美丽的未婚妻。一位天使到来，给了他一个机会看看如果当年没有选择离开，他的人生将会是什么样的。