572
7.0

跟我走吧

导演:
阿兰·吉罗迪
主演:
让-查理·克里切特,诺埃米·洛夫斯基,伊利斯·卡德里,Michel Masiero,多莉亚·蒂利耶,雷诺·拉顿,Philippe Fretun,法里达·拉瓦吉,Miveck Packa,Yves-Robert Viala,Patrick Ligardes,萨米·瓦塔尔巴利,Nabil Kechouhen,Mathéo Ahounou,Ramzan Akhmadov
别名:
未知
7.0
572人评分
法语
语言
2022
上映时间
法国
地区
简介:

  阿兰·吉罗迪今年的作品《保持站立》于戛纳争夺金棕榈还未结束,他的下一部作品《隐伏的付出》(Pays Perdu,暂译)已提上日程。影片讲述一名环保业内人士欲关闭法国南部某村落的一家牛奶厂,当他在接触工厂里的人,并爱上这里的一个人后,他打算放弃原先的计划。目前该片尚无其他消息。

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简介:

  故事梗概:
  帕西是一个不幸的女孩,在十二岁那年,母亲结交了一个新男朋友,从此她的噩梦就开始了。在十六岁那年,继父让帕西怀了孕,并在一次酒醉时,杀了刚刚出生的婴儿。忍无可忍的帕西终于爆发内中抑郁已久的愤怒,杀了继父。几年后,帕西因在狱中表现良好而提前出狱,面临着社会是否会接纳她等一系列问题。一个刚出狱的女孩,为了想重新开始一切,在一天夜里搬到偏僻的小镇,希望可以忘记从前的一切。在小镇警察局长的帮助下,帕西来到一家餐厅工作,烤肉店的孤身老太太翰娜收留了她,她觉得自己似乎得到了再次重生的机会。
  然而纯朴的小镇,慢慢却因此而波涛暗涌。烤肉店来了个罪犯服务员的消息很快传遍了这个狭小的镇子,不少八卦的人还特意跑了看。而帕西也没有隐瞒自己曾经做过牢的消息,坦然面对大家。老太太翰娜竭尽全力保护这个受过伤害的女孩,并给与她充分的信任,而在烤肉店工作的过程中,帕西与翰娜的侄媳妇也成为了无话不谈的好朋友。但翰娜的侄子雷诺克却是个心胸狭窄的人,对刚刚出狱的帕西十分不放心,不仅多次让姑姑赶走帕西,还不准妻子与她交往。
  自从儿子参军失踪,随后老伴去世后,翰娜就一直很想卖掉烤肉店,她已经太累了,想过过轻松的生活。但却一直苦于找不到合适的买主,帕西想出征文送店的点子让老太太高兴不已,但却遭到了雷诺克的大力反对。固执的老太太坚定自己的想法,在各大报纸刊登征文的消息,并且收到一大笔寄款。但就在这个时候,奇怪的事情发生了,巨款不翼而飞。所有人的目光都转向了帕西,这让她苦恼不已,而一个经常出没在森林里的疯子也受到了牵连。为了保护疯子,证明自己的清白,帕西付出了宝贵的生命,而此时,小镇上的人们才开始觉醒。
  精彩视点:
  本片根据著名作家安娜•拉布冈斯的小说改编,是好莱坞1996推出的一部温情题材的电影,影片刚一上映就赢得了一致好评。片中浪漫真挚的爱情、朋友之间纯洁真诚的友谊,相信定会让不少观众为之感动。该片的编剧兼导演是美国才华横溢的电影人李·大卫·齐龙特,他不仅导演多部大片,而且在编剧方面也有很高造诣。由他编剧并执导的电影《第三眼》最近也成为最热门的电影之一。
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主演:托马斯·米连,约瑟夫·科顿,Maria Fiore,Mario Piave,卢西亚诺·卡蒂纳齐,圭多·阿尔贝蒂,费米·贝努西,Silvano Tranquilli,Shirley Corrigan,Antonio Casale,罗萨里奥·博雷利,卢西亚诺·皮格齐,马里奥·诺维里,布鲁诺·迪·鲁亚,Giuseppe Castellano,Tom Felleghy,伊妲·伽利,Adolfo Lastretti,Bruno Alias,布鲁诺·贝托奇,瓦尔特·帕特里亚尔卡
简介:

  Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi&♯39;s crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don&♯39;t lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone&♯39;s landmark western &♯39;A Fistful of Dollars&♯39; (which in turn, took influence from Akira Kurosawa&♯39;s landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called &♯39;Rambo&♯39;. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother&♯39;s death, rescuing a young boy that they&♯39;ve kidnapped, and ultimately letting the two sides destroy one another.
  The film&♯39;s biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven&♯39;t stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn&♯39;t really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn&♯39;t stand tall as one of Lenzi&♯39;s best. Still, if you&♯39;re looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!

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