嘴强废柴泰迪最擅长的事情就是搞砸一切，他想要给妻子制造生日惊喜，却阴差阳错误入黑帮犯罪现场，被当成了让人闻风丧胆的冷面杀手“多伦多来的男人”。为了活命，泰迪无奈将错就错，假扮杀手执行任务。而真正的冷面杀手只能和泰迪临时组队，开启狐假虎威、啼笑皆非的任务模式。两人笑料百出，危险重重的亡命囧途就此开始。
一个男人被其未婚妻指控通奸，从而被迫搬回家与父母同居。当他为四岁女儿的监护权而战时，也逐渐卷入了父母和邻居由于一棵美丽的古树而起的争执。影片探讨了普通人之间的荒谬斗争，在其现实主义的基调下有着喜剧和惊悚元素。片中尖刻和讽刺的地方或许显得夸张，但也揭示了中产阶级背后的真相。
A group of former military elites set out to explore an uncharted abyss, not knowing their worst nightmare is waiting for them deep beneath the ground.
Buster Keaton and Virginia Fox play young lovers who live in tenements, the rear of which face each other, with backyards separated by a wooden fence. Their families feud over the lovers&♯39; relationship, resulting in much mayhem and slapstick. The Romeo and Juliet story played out in a tenement neighborhood with Buster and Virginia&♯39;s families hating each other over the fence separating their buildings.
塔克（崔沃•摩尔 Trevor Moore 饰）和贝尔（扎克•克雷格 Zach Cregger 饰）是一对发小儿。一次，塔克在贝尔哥哥的储藏柜里翻到了一本《花花公子》，从此对性着迷，一发而不可收拾。他对着癫痫病女孩吹口哨，从而招致了对方的拳打脚踢。与塔克不同，贝尔是一个羞涩内向的男孩，他对于女生还是发乎情至于礼。但是由于被损友坏名声拖累，贝尔被暗恋的女友三振出局。两个谈性正浓的家伙，在一次舞会上结识了大亨人物埃匹克（克雷格•罗宾逊 Craig Robinson 饰），对方左拥右抱美女的霸道，深深影响了他们。后来，一次偶然的机会，两人坐上了他的豪华房车，但却在美色前纷纷败下阵来……
《触目惊森》故事讲述一队英军六人特种部队被委派特别任务，前往苏格兰一处人迹罕至的森林，作一次野外预习。其间赫然发现另一部队全军惨死林野，血迹斑斑死状恐怖，此时众人大惑不妙，心胆俱裂之际，哀号之声不绝于耳，暮色徐徐挂上，一场狂林厮杀立即展开！面对手段凶残的敌人，为求一线生机，队员都显得越战越丧，几近疯狂。正当生死存亡之时，一名神秘女子却出手营救，藏身山林中的小屋，此时武器弹药将尽，屋内各人身心俱疲，进与退同样困难之时，大家开始怀疑…这个以血肉填满的死亡陷阱究竟有没有出口? 《触目惊森》上映一天已创下英国恐怖片最高开画票房纪录，横扫法国票房，深获欧洲各界影业人士一致赞好，被评为最有风格最狂最丧的恐怖经典，骇人画面藏着一股狂暴的张力，紧贴迫近。 导演尼尔马素(Neil Marshall) 更凭此片勇夺卢森堡国际电影节Luxembourg International Film Festival及布鲁塞尔奇幻电影节Brussels International Film Festival Of Fantasy Film共三项最高荣誉金奖及观众大奖。
The destruction of his grandparents&♯39; home leads a young man to take revenge under a masked persona.
The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church. On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
坂口健太郎饰演的是可以看到不在此处的“某人的想法”的青年未山。借助这一不可思议的能力，他治愈着因身体不适而烦恼的人、怀有创伤的人，一边贴近着身边的人，一边与恋人、护士诗织（市川实日子饰演）和她的女儿美美（矶村アメリ饰演）过着平静的生活。 某天，未山开始感受到不同于以往的 、从未体验过的强烈的想法。来自于高中时的后辈、远在东京活跃着的音乐人草鹿（浅香航大饰演）。为确认想法背后的真意，未山来到草鹿的演唱会现场，与他面对面。草鹿总算说出了过去未山与恋人莉子（斋藤飞鸟饰演）所遭遇事件的来龙去脉。未山与自此事件后从未见过的莉子重遇……因莉子而解开了未山的秘密。 他究竟是从何而来的什么人呢？
史蒂夫（比尔·默瑞 Bill Murray 饰）是一名海洋纪录片导演，他的作品曾经为许多孩子的童年披上了梦幻的色彩。在一次拍摄中，史蒂夫的老朋友死于美洲虎鲨之口，这让史蒂夫深受打击，他发誓要找到虎鲨，为友报仇，并且将此作为新片的题材。在发布会上，史蒂夫遇见了自称是自己儿子的耐德（欧文·威尔逊 Owen Wilson 饰），他遂邀请这个年轻人加入他的创作团队。史蒂夫要面临的难题很多，资金短缺，和妻子的感情不和，并且，他所拍摄的纪录片已经渐渐的失去了吸引力。 一位名叫珍妮（凯特·布兰切特 Cate Blanchett）的记者加入了史蒂夫的团队，她要为他写一本个人传记，然而，她和史蒂夫的相处并不融洽，倒是和耐德越走越近，这让史蒂夫醋意大发。同时，耐德的真实身份也让史蒂夫心寸怀疑。一群海盗的光临让史蒂夫的计划彻底破产，一名船员也惨遭绑架，面对这样糟糕的境况，身经百战的史蒂夫能够完成他的复仇计划吗？
讲述了失去双亲的女孩遭强暴后复仇的故事...
高中少女渚凛（杉本有美 饰）即将迎来16岁的生日，但是她却发现自己的身体正悄悄发生着变化。生日当天，凛受到强烈刺激，右手变成了削铁如泥的魔爪。仓皇回到家中的她从父亲洋二郎（津田寛治 饰）口中得知，自己竟是变异人“蛭子”的族人。接着她眼睁睁看着父母被隶属于日本政府的特种部队杀害。愤怒的凛唤醒了身体内的魔性，在家乡附近的商业街大开杀戒。此后凛遇到蛭子一族的美男子首领如月（坂口拓 饰）和高中女生玲（高山侑子 饰），如月发誓建立一支足以与人类抗衡的战斗少女部队，而玲正是这群蛭子女孩的战斗教练。种族战争一触即发…… 本片分为三章，各由坂口拓、井口昇、西村喜廣三位导演执导。
Korea Erotic 2
