暗泳

　　这是一部关于寻找外星人的电影，各位道友智商堪忧……各位想看大脚怪/野人那部的请移步

　　巴德里是一位在特殊环境下长大的虔诚修武者，自称“不是为女人而生”，并对自己的师尊唯命是从。但人生就是充满了未知，一位刁蛮任性的大小姐爱上了他。面对似火的柔情，巴德里却仿佛一块顽石。世事总是无常，于是，一则时而惊心动魄时而浪漫蜜意的新天方夜谭便展现在我们的面前。

一位年轻的县长在遭遇车祸之后被爷爷带到乡下养伤，村民同情他但又不看好他。这位年轻的县长用实际行动向村民们作出了庄严的承诺，并在本村代理村主任一职，几经波折帮助村民实现了致富梦，同时收获了他的爱情。

　　约翰尼·诺克斯维尔饰演的男主角有个八岁的孙子，祖孙俩将开始一段横跨美国的旅程，一路上他们偷东西撞路牌婚礼葬礼四处搅局蠢事不断。

　　一名男子不滿一樁冤獄案件的發生，私自綁架審判該案的法官，將其囚禁於地下室，並錄影開直播，公開質疑其判決有誤，要求社會大眾對其進行公審並投票，然而最終的結果，會因此撼動程序正義嗎？

雨宫，盲麻雀。 用他看不见的眼睛看对手的瓷砖，他的绝妙技巧变成了传奇。 是与雨来麻将世界隔绝的Amemiya，但他的女儿Yume被中国黑手党欺骗，并欠了很多债务以代表yakuza。 Gambling x Dense Eros提出的第三系列“ Ura Mahjong Mijin Retsuden”系列。

　　为谋求公平并从吃力不讨好的工作中获利，一名工厂工人密谋在雇主眼皮子底下走私奢侈香水。

　　一部美国史上最成功的亡命之徒真实故事。原来是穷困无名的四个小子，一起火车抢案使这群男孩蜕变成男人。这群小子用硝化油做炸弹连抢了80家银行，足迹遍及德州和加拿大。

　　岑勇康、希罗·费尔南德斯加盟惊悚新片《羽毛》(Plume)，乔什·哈切森、苏琪·沃特豪斯、蒂尔达·格哈姆-哈维主演，华裔Mike Gan自编自导。故事围绕一个孤独、情绪不稳定的加油站服务员Melinda(哈维)展开，她受够了被更自信、外向的同事Sheila(沃特豪斯)所掩盖，当一个急需现金、绝望的男人Billy(哈切森)持枪劫持加油站时，Melinda找到了一个机会和他建立联系，不管是否有人受伤。
　　岑勇康饰演刘警官，道德良好、正直，受到Melinda的迷恋。费尔南德斯饰演Sheila男友Perry，被无意中卷进了她的危险游戏中。
　　这是Mike Gan执导的首部长片，此前他执导的短片《No Evil》曾亮相多伦多电影节和棕榈泉电影节。

　　威尔·蒙哥马利（尼古拉斯·凯奇 Nicolas Cage 饰）的四人盗窃团伙在一次行窃银行金库时被埋伏在现场的FBI逮个正着，同伙文森特在混乱中中枪，而威尔将赃款付之一炬后独自被捕。八年后，威尔出狱，迎接他的是怀疑他当年私藏赃款的FBI探员安德森，以及女儿艾莉森（ 萨米·盖尔 Sami Gayle 饰）的敌视，威尔心力憔悴之际突然收到了文森特绑架艾莉森的消息。原来当年行窃失败后文森特陷入潦倒，为了讨还一千万中属于自己的部分他绑架了艾莉森。威尔试图向FBI求助却不被安德森信任，无奈只得独自拯救女儿，为此他不惜找到当年的搭档蕾莉(玛琳·阿克曼 Malin Akerman 饰)，准备再次犯案……

　　故事改编自著名的二战军事事件“敦刻尔克大撤退”。二战初期，40万英法盟军被敌军围困于敦刻尔克的海滩之上，面对敌军步步逼近的绝境，形势万分危急。英国政府和海军发动大批船员，动员人民起来营救军队。
　　英国士兵汤米（菲昂·怀特海德 Fionn Whitehead 饰）在逃离海滩的过程中相继结识吉布森与亚历克斯，同时民用船主道森先生（马克·里朗斯 Mark Rylance 饰）与儿子彼得、17岁少年乔治也离开英国，去往敦刻尔克拯救士兵。三人陆续搭救了海军（基里安·墨菲 Cillian Murphy 饰）、飞行员柯林斯及汤米一行人，而战斗机飞行员法瑞尔（汤姆·哈迪 Tom Hardy 饰）则在被敌人双面夹击的艰难情形下顽强战斗。
　　影片的故事从陆、海、空三个角度讲述，在德国军队的包围下，每个人不得不为自己的命运背水一战，才有可能活着回家。

　　The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.
　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.
　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.
　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.
　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.
　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.
　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.