速度与激情2

　　故事围绕着六对夫妻和情侣的亲密生活与性幻想展开，其中包括了角色扮演、暴露癖还有禁欲生活。

　　泰国女孩小樱（楚缇玛•提潘娜特Chutima Teepanart 饰）和小棉（贾琳珀恩•朱凯特Jarinporn Jookiat 饰）是一对好友，出于不同的目的，两人决定结伴到欧洲修学旅行。身处他乡，两个女孩享受着异国的美好与新奇，并结交了形形色色的朋友，同时也经历着生存与奋斗的种种艰辛，忍受着孤独与思念家人的煎熬。在彼此的互相扶持下，小樱和小棉一路走过了伦敦、巴黎和威尼斯。在旅行中，单纯柔弱的小棉逐渐坚强，并从失恋的阴影中走了出来，个性强烈的小樱逐渐学会理解并包容他人，而她所拥有设计才华也逐渐被挖掘出来。
　　原本看似不会结束的旅行，却因为一场意外戛然而止，受牵连的小棉被遣送回国，小樱自责不已，担心小棉不肯原谅自己。最终，当小樱回到家乡，机场迎接她回国的亲友之间，会不会出现小棉的身影呢？

　　三个同志好友，都是30多岁的巴黎人，却在奥地利的群山之中迷路了，而三个人也借此机会开始审视自己的生活。

Yeris First Experience (Uncut)

　　故事发生在一座坐落于边郊的小镇之中，玛丽（布朗什·加丁 Blanche Gardin 饰）的生活并不富裕，一家人的主要收入来源都依靠丈夫的家庭津贴，玛丽人生唯一的希望就是她的儿子。然而，有一天，玛丽震惊的发现，自己的一段性爱录像竟然流出到了网络之上，她非常担心自己的儿子会看到这段录像。
　　伯特兰（德尼·波达利德斯 Denis Podalydès 饰）非常爱自己的妹妹，而这个可怜的女孩正在遭受一段令她受伤颇深的网络暴力的骚扰。克里斯汀（科琳娜·马谢罗 Corinne Masiero 饰）是一名网约车司机，因为她在约车网站上评分太低而导致业绩低下。三个社会的底层人士，在某一日，他们突然发现他们糟糕的生活或许正是互联网和社交媒体造成的，于是三人一拍即合，决定为自己讨回公道。

　　五个人突然醒来，他们发现自己在一艘外星人的母船上。他们发现自己的情感波动会影响到这艘船的动力。他们意识到原来外星人已经绑架人类的历史已经数百年之久了。他们决定秘密脱困，并和外界的美军士兵取得联系逃出生天。

　　奇男待嫁(Someone Marry Barry)主要讲述了男主人公是个大龄剩男,钻石王老五,为人也很幽默,但一五,为人也很幽默,但一直没有异性缘,在追逐一个个异性而发生了一系列搞笑幽默的故事.

　　艾莉克西亚（阿加莎·罗塞勒 Agathe Rousselle 饰）是一名汽车模特，拥有曼妙身材的她靠着跳艳舞维持生计。早年间，一场车祸让艾莉克西亚的大脑中被医生植入了钛金属，这块金属随着时间的推移，渐渐影响了她的性格，让她变得暴戾而又狂躁，在钛金属的影响下，她甚至杀死了自己的双亲。不仅如此，艾莉克西亚还发现自己对汽车产生了性趣，在和汽车发生了性关系后，艾莉克西亚发现自己的身体逐渐出现了妊娠的征兆。
　　文森特（文森特·林顿 Vincent Lindon 饰）是消防队的队长，早年间，他的儿子失踪了，这些年来，他一直都没有放弃过寻找儿子的下落。命运让艾莉克西亚和文森特相遇了，艾莉克西亚女扮男装，假装成为文森特的儿子，和文森特开始了住在同一屋檐下的生活。她一边要努力维系自己的谎言不被戳穿，一遍还要隐藏渐渐变形的身体。当然，纸是包不住火的，在长久的压抑之后，艾莉克西亚和文森特之间的关系也发生了微妙的变化。

　　该片将生理期的各种生理痛拟人化。描绘了在杂志编辑部上班的米田青子忍受生理期痛苦的同时，面对工作和恋爱的故事。

　　The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.
　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.
　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.
　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.
　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.
　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.
　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

　　《窈窕主妇》由英国女星西耶娜·米勒同伊朗女星格什菲·法拉哈尼共同主演，讲述两位女主人公从芝加哥一路前往拉斯维加斯参加肚皮舞大赛的故事。
　　法国导演波查拉曾凭借《生命如尘》、《光荣岁月》以及《法外之徒》三次获得奥斯卡最佳外语片提名。《窈窕主妇》是他首部英文片。导演把该片同杰瑞·沙茨伯格执导、吉恩·哈克曼与阿尔·帕西诺主演的金棕榈影片《稻草人》相比，讲述了两位女伴之间不同寻常的友谊。

　　托提拉（拉斯·艾丁格 Lars Eidinger 饰）是一名学者，研究的方向是德国大屠杀，虽然他的研究成果在业界备受关注，学术前途无量，但这项残忍的研究已经让托提拉的精神濒临了崩溃的边缘。原来，托提拉隐藏了一段不为人知的往事，他的祖父从前竟然是一名纳粹，亲手害死过许多手无寸铁的无辜者，每想到此，托提拉都会感到无比的痛苦。
　　一次偶然中，托提拉结识了名为扎吉（阿黛拉·哈内尔 Adèle Haenel 饰）的犹太女孩，扎吉个性开朗热情，犹如一束阳光照亮了托提拉阴郁的世界。扎吉的祖母在二战期间被纳粹迫害致死，而让扎吉无法接受的时，当年迫害自己祖母的人，竟然就是托提拉的祖父。