伊斯梅尔·维亚尔是一位法国电影导演，他正在拍摄一部以外交官伊凡为主人公的影片。与他的师父兼岳父布鲁姆一样，伊斯梅尔一方面仍然沉浸在丧妻之痛里。然而与此同时，他已经与西尔维娅开始了新的生活，西尔维娅成为了伊斯梅尔生活里的一道光。后来卡洛特突然回来“起死回生”，在西尔维娅离开之后，伊斯梅尔拒绝了卡洛特，他被生活中的一切折磨到快疯了。他中断了拍摄，回到家乡、法国北部城市鲁贝，在那里过着离群索居的生活，就像被幽魂围绕着一样。
摩根被人设计将有毒废物倒入他工作的矿区内，导致东非尚比亚数千里居民死亡，被当地政府驱逐出境。数月后，由杜邦处得知害他的史考特并没死，且藏身于当地反判军内，于是决定返非讨回名声，找出被藏匿的放射能污染物。怎知这一切其实都是北韩反叛军陈和杜邦图谋当年史考特和中情局从苏联劫来的铀棒，欲从中获取厚利。
千千万万的普通人，在百无聊赖的日常生活中，恐怖可怕的体验不经意间便突然到来。有的姐弟独守家中时，梦到有人试图破门而入，而这一切又真实发生着；有的女孩夜归途中看到爬行的二战日本兵的亡灵，她也被恶灵们所纠缠；有的女孩家的隔壁传来阵阵奇怪的声响，而隔壁的女人竟如此诡异；有的小女孩端坐家中时，竟然看到两个疯狂的女人厮打在一起，女孩的母亲却全然无知；有的女孩完全罔顾朋友的劝说，自顾自乘上会有涂着红指甲的黑手出现的电梯；有的搬到新家，院子里却耸立着一棵让人禁不住想上吊自杀的大树…… 一桩桩恐怖吊诡的小故事，尽在《怪谈新耳袋 百物语》。
三十年代的德州，女教师兼新秀作家普莱丝跟傲慢自大的流行小说作家罗伯特．霍华德产生了一段执迷不悔的爱情。霍华曾写过《王者之剑》等畅销书，成功令他感到困扰。而普莱丝年轻漂亮，个性也独立倔强，两人碰在一起竟产生了电光火石的效果 ，两个爱好幻想的作家，经常把他们的梦想和真实情况搞乱了。
Douglas, a broken, solitary, Spitfire Ace, must overcome his past to lead a Lancaster bomber crew in the pivotal aerial war over Berlin, in 1943.
Looking for work, Aaron comes across a cryptic online ad: “$1,000 for the day. Filming service. Discretion is appreciated.” Low on cash and full of naiveté, he decides to go for it. He drives to a cabin in a remote mountain town, where he meets Josef, his cinematic subject for the day. Josef is sincere and the project seems heartfelt, so Aaron begins to film. But as the day goes on, it becomes clear that Josef is not who he says, and his intentions are not at all pure.
妻子度假期间，丈夫理查德·沙尔曼（汤姆·伊威尔 Tom Ewell 饰）因为一次花盆事件，结识了三楼邻居、电视广告明星（玛丽莲·梦露 Marilyn Monroe 饰）。对方如洋娃娃般的美貌，令这个已婚男人为之倾倒，并且在一次酒会上，在她弹钢琴的时候，坐在她的 旁边，作出了不雅的举动。事后，汤姆陷入了深深的懊恼之中，他求教于心理医生，对方指出他的病症，引诱他付高价诊治。汤姆没有理会，开始自己的心理分析，并对此事做出了一系列添油加醋的幻想。他担心这个八卦会传到妻子耳中，这种担心逐渐转向了对后者出轨的怀疑。于是，汤姆在性幻想的左右下，约了这个女孩一起看电影，并请她来家中做客。后者因为家里的电扇不制冷而贪恋他家的空调，因此希望来这里过夜，结果闹出不少笑话……
一名男子不滿一樁冤獄案件的發生，私自綁架審判該案的法官，將其囚禁於地下室，並錄影開直播，公開質疑其判決有誤，要求社會大眾對其進行公審並投票，然而最終的結果，會因此撼動程序正義嗎？
人头攒动的东京秋叶原，是动漫、游戏迷心中的圣地。他们从四面八方云集于此，寻找心中的至爱。小眼镜男山田刚司（伊藤淳史 饰）是一个终日游荡在秋叶原的销售员，他性格内向，毫无主见，事业和爱情没有着落。当然，他的心中也有着心仪的对象，那就是经常会在电车上遇到的美人青山沙织（伊东美咲 饰）。某晚，一个醉汉（泉谷しげる 饰）大闹电车，甚至骚扰到青山小姐。山田鼓起勇气解围，青山分外感谢，日后更送他爱马仕的茶具作为感谢。 没有恋爱经验的山田面对爱人不知所措，他以电车男的网名登陆留言板，向陌生的好友们寻求帮助。大家纷纷出谋划策，共同帮助山田踏上追寻爱情的道路……
葛饰区龟有公园前派出所的巡查长两津堪吉（香取慎吾 饰）是一个颇令人头疼的警察，每到发薪日他便被商店街的店家追索欠账，穷困潦倒之际又想出各种小伎俩骗钱花，令他的上司大原部长（伊武雅刀 饰）甚为气恼。这一日，他重逢了童年时代的好友泽村桃子（深田恭子 饰），此时的桃子是一家剧团的老板，同时还独自抚养上小学的女儿小唯。热情开朗的阿两很快赢得全剧团的欢迎，他也一厢情愿希望和桃子再续前缘。就在这时，警察局长官的孙女遭人绑架，全葛饰区进入紧急状态。不久阿两他们发现，这起绑架案竟是一场误会，而绑架者与桃子有着千丝万缕的关系…… 本片根据秋本治的人气喜剧漫画《こちら葛飾区亀有公園前派出所》（中文译名《乌龙派出所》）改编。
一个被抛弃的孤儿，问神父他的名字是什么，神父回答他是”Ram Jaane“，即天晓得、上帝知道的意思，于是，他把”Ram Jaane“作为自己的名字。长大之后的Ram Jaane (Shahrukh Khan)成了一个职业罪犯。他深爱着童年的玩伴Bela (Juhi Chawla)，而且他也相信Bela也是爱他的，但实际上Bela爱的是善良的 Murli (Vivek Mushran)...
The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church. On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
